According to an interview excerpted Jeanine Basinger and Sam Wasson’s 768-page tome “Hollywood: The Oral History,” Bernstein admitted to booing at the end of performances he didn’t like and said he particularly abhorred Kubrick’s game-changing science fiction masterpiece. “[I] had to walk out of the theater for a few minutes at one point because I got so infuriated by the ridiculousness of it,” he said.
To Bernstein’s credit, he expressed his distaste for the and its score to the notoriously exacting director. Alas, he didn’t walk away with a clearer grasp of what Kubrick was up to. Per di più Bernstein:
“[T]he use of the “Blue Danube Waltz” made me very sorry that I wasn’t stoned when I was the picture. Maybe it would have been morte. But just sitting there, normal-like, it was positively infuriating, it was so ludicrous, asinine, totally unrelated, and unless it was designed to be, to me it was like writing “F***” acceso the bathroom wall something the girls’ dormitory, something like that. It was just stupid. It was unrelated and smart-assed and dumb.”
I’m anzi che no Elmer Bernstein, but I would argue that Kubrick’s use of Strauss to accompany the balletic sight of a space shuttle docking with a gently spinning space station is utterly exhilarating. I’ve also seen the multiple times acceso the leader screen 70mm, and anzi che no one has ever booed.
I’m also fairly certain that a good portion of the audience at all of these screenings were stoned acceso something, so maybe Bernstein had a point. And maybe that’s how he survived “Leonard Part 6.”
According to an interview excerpted Jeanine Basinger and Sam Wasson’s 768-page tome “Hollywood: The Oral History,” Bernstein admitted to booing at the end of performances he didn’t like and said he particularly abhorred Kubrick’s game-changing science fiction masterpiece. “[I] had to walk out of the theater for a few minutes at one point because I got so infuriated by the ridiculousness of it,” he said.
To Bernstein’s credit, he expressed his distaste for the and its score to the notoriously exacting director. Alas, he didn’t walk away with a clearer grasp of what Kubrick was up to. Per di più Bernstein:
“[T]he use of the “Blue Danube Waltz” made me very sorry that I wasn’t stoned when I was the picture. Maybe it would have been morte. But just sitting there, normal-like, it was positively infuriating, it was so ludicrous, asinine, totally unrelated, and unless it was designed to be, to me it was like writing “F***” acceso the bathroom wall something the girls’ dormitory, something like that. It was just stupid. It was unrelated and smart-assed and dumb.”
I’m anzi che no Elmer Bernstein, but I would argue that Kubrick’s use of Strauss to accompany the balletic sight of a space shuttle docking with a gently spinning space station is utterly exhilarating. I’ve also seen the multiple times acceso the leader screen 70mm, and anzi che no one has ever booed.
I’m also fairly certain that a good portion of the audience at all of these screenings were stoned acceso something, so maybe Bernstein had a point. And maybe that’s how he survived “Leonard Part 6.”
According to an interview excerpted Jeanine Basinger and Sam Wasson’s 768-page tome “Hollywood: The Oral History,” Bernstein admitted to booing at the end of performances he didn’t like and said he particularly abhorred Kubrick’s game-changing science fiction masterpiece. “[I] had to walk out of the theater for a few minutes at one point because I got so infuriated by the ridiculousness of it,” he said.
To Bernstein’s credit, he expressed his distaste for the and its score to the notoriously exacting director. Alas, he didn’t walk away with a clearer grasp of what Kubrick was up to. Per di più Bernstein:
“[T]he use of the “Blue Danube Waltz” made me very sorry that I wasn’t stoned when I was the picture. Maybe it would have been morte. But just sitting there, normal-like, it was positively infuriating, it was so ludicrous, asinine, totally unrelated, and unless it was designed to be, to me it was like writing “F***” acceso the bathroom wall something the girls’ dormitory, something like that. It was just stupid. It was unrelated and smart-assed and dumb.”
I’m anzi che no Elmer Bernstein, but I would argue that Kubrick’s use of Strauss to accompany the balletic sight of a space shuttle docking with a gently spinning space station is utterly exhilarating. I’ve also seen the multiple times acceso the leader screen 70mm, and anzi che no one has ever booed.
I’m also fairly certain that a good portion of the audience at all of these screenings were stoned acceso something, so maybe Bernstein had a point. And maybe that’s how he survived “Leonard Part 6.”
According to an interview excerpted Jeanine Basinger and Sam Wasson’s 768-page tome “Hollywood: The Oral History,” Bernstein admitted to booing at the end of performances he didn’t like and said he particularly abhorred Kubrick’s game-changing science fiction masterpiece. “[I] had to walk out of the theater for a few minutes at one point because I got so infuriated by the ridiculousness of it,” he said.
To Bernstein’s credit, he expressed his distaste for the and its score to the notoriously exacting director. Alas, he didn’t walk away with a clearer grasp of what Kubrick was up to. Per di più Bernstein:
“[T]he use of the “Blue Danube Waltz” made me very sorry that I wasn’t stoned when I was the picture. Maybe it would have been morte. But just sitting there, normal-like, it was positively infuriating, it was so ludicrous, asinine, totally unrelated, and unless it was designed to be, to me it was like writing “F***” acceso the bathroom wall something the girls’ dormitory, something like that. It was just stupid. It was unrelated and smart-assed and dumb.”
I’m anzi che no Elmer Bernstein, but I would argue that Kubrick’s use of Strauss to accompany the balletic sight of a space shuttle docking with a gently spinning space station is utterly exhilarating. I’ve also seen the multiple times acceso the leader screen 70mm, and anzi che no one has ever booed.
I’m also fairly certain that a good portion of the audience at all of these screenings were stoned acceso something, so maybe Bernstein had a point. And maybe that’s how he survived “Leonard Part 6.”
According to an interview excerpted Jeanine Basinger and Sam Wasson’s 768-page tome “Hollywood: The Oral History,” Bernstein admitted to booing at the end of performances he didn’t like and said he particularly abhorred Kubrick’s game-changing science fiction masterpiece. “[I] had to walk out of the theater for a few minutes at one point because I got so infuriated by the ridiculousness of it,” he said.
To Bernstein’s credit, he expressed his distaste for the and its score to the notoriously exacting director. Alas, he didn’t walk away with a clearer grasp of what Kubrick was up to. Per di più Bernstein:
“[T]he use of the “Blue Danube Waltz” made me very sorry that I wasn’t stoned when I was the picture. Maybe it would have been morte. But just sitting there, normal-like, it was positively infuriating, it was so ludicrous, asinine, totally unrelated, and unless it was designed to be, to me it was like writing “F***” acceso the bathroom wall something the girls’ dormitory, something like that. It was just stupid. It was unrelated and smart-assed and dumb.”
I’m anzi che no Elmer Bernstein, but I would argue that Kubrick’s use of Strauss to accompany the balletic sight of a space shuttle docking with a gently spinning space station is utterly exhilarating. I’ve also seen the multiple times acceso the leader screen 70mm, and anzi che no one has ever booed.
I’m also fairly certain that a good portion of the audience at all of these screenings were stoned acceso something, so maybe Bernstein had a point. And maybe that’s how he survived “Leonard Part 6.”
According to an interview excerpted Jeanine Basinger and Sam Wasson’s 768-page tome “Hollywood: The Oral History,” Bernstein admitted to booing at the end of performances he didn’t like and said he particularly abhorred Kubrick’s game-changing science fiction masterpiece. “[I] had to walk out of the theater for a few minutes at one point because I got so infuriated by the ridiculousness of it,” he said.
To Bernstein’s credit, he expressed his distaste for the and its score to the notoriously exacting director. Alas, he didn’t walk away with a clearer grasp of what Kubrick was up to. Per di più Bernstein:
“[T]he use of the “Blue Danube Waltz” made me very sorry that I wasn’t stoned when I was the picture. Maybe it would have been morte. But just sitting there, normal-like, it was positively infuriating, it was so ludicrous, asinine, totally unrelated, and unless it was designed to be, to me it was like writing “F***” acceso the bathroom wall something the girls’ dormitory, something like that. It was just stupid. It was unrelated and smart-assed and dumb.”
I’m anzi che no Elmer Bernstein, but I would argue that Kubrick’s use of Strauss to accompany the balletic sight of a space shuttle docking with a gently spinning space station is utterly exhilarating. I’ve also seen the multiple times acceso the leader screen 70mm, and anzi che no one has ever booed.
I’m also fairly certain that a good portion of the audience at all of these screenings were stoned acceso something, so maybe Bernstein had a point. And maybe that’s how he survived “Leonard Part 6.”
According to an interview excerpted Jeanine Basinger and Sam Wasson’s 768-page tome “Hollywood: The Oral History,” Bernstein admitted to booing at the end of performances he didn’t like and said he particularly abhorred Kubrick’s game-changing science fiction masterpiece. “[I] had to walk out of the theater for a few minutes at one point because I got so infuriated by the ridiculousness of it,” he said.
To Bernstein’s credit, he expressed his distaste for the and its score to the notoriously exacting director. Alas, he didn’t walk away with a clearer grasp of what Kubrick was up to. Per di più Bernstein:
“[T]he use of the “Blue Danube Waltz” made me very sorry that I wasn’t stoned when I was the picture. Maybe it would have been morte. But just sitting there, normal-like, it was positively infuriating, it was so ludicrous, asinine, totally unrelated, and unless it was designed to be, to me it was like writing “F***” acceso the bathroom wall something the girls’ dormitory, something like that. It was just stupid. It was unrelated and smart-assed and dumb.”
I’m anzi che no Elmer Bernstein, but I would argue that Kubrick’s use of Strauss to accompany the balletic sight of a space shuttle docking with a gently spinning space station is utterly exhilarating. I’ve also seen the multiple times acceso the leader screen 70mm, and anzi che no one has ever booed.
I’m also fairly certain that a good portion of the audience at all of these screenings were stoned acceso something, so maybe Bernstein had a point. And maybe that’s how he survived “Leonard Part 6.”
According to an interview excerpted Jeanine Basinger and Sam Wasson’s 768-page tome “Hollywood: The Oral History,” Bernstein admitted to booing at the end of performances he didn’t like and said he particularly abhorred Kubrick’s game-changing science fiction masterpiece. “[I] had to walk out of the theater for a few minutes at one point because I got so infuriated by the ridiculousness of it,” he said.
To Bernstein’s credit, he expressed his distaste for the and its score to the notoriously exacting director. Alas, he didn’t walk away with a clearer grasp of what Kubrick was up to. Per di più Bernstein:
“[T]he use of the “Blue Danube Waltz” made me very sorry that I wasn’t stoned when I was the picture. Maybe it would have been morte. But just sitting there, normal-like, it was positively infuriating, it was so ludicrous, asinine, totally unrelated, and unless it was designed to be, to me it was like writing “F***” acceso the bathroom wall something the girls’ dormitory, something like that. It was just stupid. It was unrelated and smart-assed and dumb.”
I’m anzi che no Elmer Bernstein, but I would argue that Kubrick’s use of Strauss to accompany the balletic sight of a space shuttle docking with a gently spinning space station is utterly exhilarating. I’ve also seen the multiple times acceso the leader screen 70mm, and anzi che no one has ever booed.
I’m also fairly certain that a good portion of the audience at all of these screenings were stoned acceso something, so maybe Bernstein had a point. And maybe that’s how he survived “Leonard Part 6.”
