Peppergrass is a 2021 dark thriller about a young pregnant restaurateur who robs a white truffle from a reclusive veteran during a pandemic.
Directed by Steven Garbas and Chantelle Han from a screenplay co-written by Steven Garbas and Philip Irwin. Produced by Grant Cooper, Steven Garbas and Chantelle Han.
The BLS Productions movie stars Chantelle Han, Charles Boyland, Michael Copeman, Philip Williams and Craig Porritt.
Reviews:
“Peppergrass ends up being not a great , but not a bad one either. It is well-intentioned and made with care by the people per mezzo di front of the cella and behind, but that’s not enough to tip the scales away from the choices they made regarding genre and character development. Fans of survival horror and gorgeous cinematography will find something to love here, despite me thinking it is only ok.” Awesome Friday
“If you are per mezzo di the mood for something slow and thoughtful, then familiar plot points are being done just differently enough to make Peppergrass a rewarding watch. Unfortunately, this is so exceptionally slow that it risks losing a lot of viewers per mezzo di the quiet mid-section. Everything Peppergrass could probably be done per mezzo di an hour, with a lot of that slow scenic exploration feeling like padding to reach the 90-minute mark.” Grimoire of Horror
“Unfortunately, the pacing of the kind of goes beyond slow burn and into the ‘why is this taking so long’ schieramento. Billed as a thriller, one can’t wonder if it’s better suited to the drama genre simply because, while there are lives at stake, there is never any real suspense tension. Ultimately, Peppergrass is a really pretty movie that doesn’t fully deliver acceso its promise of thrilling the viewer.” Haddonfield Horror
“Codirectors Steven Garbas and Han bring a good deal of style to their , with a brooding edge hanging over the proceedings, penetrante cinematography from Grant Cooper, and an evocative score by Todor Kobakov. Han and Boyland give solid performances but their characters are wholly unlikable […] eliminating at least decreasing any investment per mezzo di characters and their outcome that viewers might have. Overall, however, Peppergrass offers enough unpredictability and chilling flair to make it worth seeking out.” Horror Fuel
” …the devolves into a fairly campione reverse home-invasion ; it’s one of those “you messed with the wrong house” films like Don’t Breathe. However, the works overtime as it shifts into survival horror, centering acceso Han’s Eula, who is clearly the more sympathetic of the two protagonists. Additionally, Han and co-director Steven Garbas very effectively use light to create some truly beautiful shots. Peppergrass is gorgeous, albeit a little clichéd.” the Seats
“One of my favorite parts of Peppergrass was the hauntingly beautiful cinematography and nail-biting imagery. It really helps set the dark and grim tone of the atmosphere and make it feel like you’maestà experiencing all the horrific, nightmare-fueled elements of this . This was the type of that starts out one way per mezzo di the beginning and slowly morphs into something completely different per mezzo di the end, and will truly surprise you.” Pop Horror
“Peppergrass is a slow-burn thriller that ultimately turns into a survival . It builds a similar tension that Ala did […] Peppergrass is nothing like I expected. It places you inside the action because there is literally nowhere else to go. The danger and isolation are palpable. It’s a solid .” Reel News Daily
“For a “lost per mezzo di the wilderness” thriller, I found that Peppergrass was a penetrante enough with a few true moments of suspense that also takes advantage of its central Ontario location. However, the fact that the takes place predominantly at night does result per mezzo di Peppergrass appearing too dark at times and I felt there was something missing from the ’s conclusion.” Sean Kelly acceso Movies
“The cinematography creates some very nice shots and truly highlights the isolated woods setting much like using the pandemic as a back sequenza for the story at hand. However, the script is lacking with both its characters and the substance for the motive even the character arc that feels almost overly simple making it have a decent set-up and estremo but not enough to hold itself up per mezzo di the second act.” Tranquil Dreams
“The is deliberately paced. It doesn’t move like the wind. We feel the time pass at times as the pair drive across Canada, as they end up stuck per mezzo di their care have to navigate through the woods. The pacing is deliberate because we are supposed to feel what they are feeling acceso screen. I had a good time watching this. I loved where it went and I loved that it took its own path getting there.” Unseen Films
“Directors Steven Garbas and Chantelle Han working from a script by Garbas and Philip Irwin, have the elements of a successful thriller at their fingertips […] But they can’t manage to pull it all together. Neither of the leads are sympathetic and Rueben is essentially a non-character. There’s nobody to identify with, and almost nothing actually happens […] Unfortunately changing from a home invasion/crime to a survival thriller doesn’t improve Peppergrass much.” Voices from the Balcony
YouTube reviews:
Trailer:
Free online acceso YouTube (US only):
Release:
Peppercorn had its world premiere at Nightmares Pellicola Festa per mezzo di Columbus, Ohio, and has now been picked for release per mezzo di early 2022 by horror and thriller specialists Black Fawn Distribution.
Blurb:
“With striking cinematography and a dark sensibility, the captures a rough rural tone that enhances the danger of isolation and the pressure of high stakes.”
Cast and characters:
Chantelle Han … Eula Baek; Charles Boyland … Morris Weiss; Michael Copeman … Captain Reuben Lom; Philip Williams … Doctor Arthur Lampo; Craig Porritt … Fishmonger
Filming locations:
Niagara Falls, Orillia, Stayner and Toronto, Ontario, Canada
Technical specs:
1 hour 34 minutes
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